The other day, in a workshop with Sarabande Books, someone shared the story of a librarian discovering a taco in the center of a book.
A taco.
Squished in the pages.
A taco.
The other day, in a workshop with Sarabande Books, someone shared the story of a librarian discovering a taco in the center of a book.
A taco.
Squished in the pages.
A taco.
You only need yourself
Did you forget?
Every time a poem is set or read alongside another body of work, including music and visual art, it shifts, altering the way we observe and absorb the words. It transforms how the poem enters the world and our hearts.
Through this gradual absorption, there is an ingraining, a re-blueprinting on a cellular level.
I ended up in my inner rabbit hole instead. I sorted my “why” on social media.
This type of restructuring transferred to my writing in, well, structure, especially helpful with poetry. Poetry is both a visual and a literary art. The shape and structure and form inform the work as much as word choice and language.
“Braced and Bedazzled,” holds a time in my life I waded in shame. This essay, every essay, behaves much like a time capsule. I’d returned to undergrad school after leaving a domestic violent marriage. Soon after, my cervical spine gave way—an old injury taking its toll. I had three young sons to care for, withoutContinue reading “On Being Bedazzled”
Power surged into me, something electrical, and I realized I was given a piece of me back, the piece taken from me over and over in my youth. The piece used to control me, overpower me, keep me in my place. The piece that should have belonged to me and only me all along, that should have been guarded, protected, like the world’s greatest diamond. The piece diminished to the point I never thought about it, didn’t look at it, never talked about it. The piece I felt ashamed of, the one I blamed myself for all that went wrong. The piece that guided my babies into this world and helped push them forth into their first breath.
Me. Me. December 2008. Me. One month prior to downloading my youngest. Me. One year prior to fleeing my home, three sons in tow, one duffel stuffed with medical supplies and a handful of diapers. Me. Looking un-terrified, flexing, posing. Me. Living in duplicity. This image is not about body-beauty or suface-pretty. This was anContinue reading “Me. No More.”
I found, through the use of third-person, I could write the hard stuff, the stuff that damaged me, that changed me, that shamed me. I could write as if I were writing about somebody else.